Entertainment
Fourth Wave Fest Brings Purpose and Power to Asbury Park’s Music Scene
On March 1, House of Independents in Asbury Park became more than just a music venue. It became a platform.
Fourth Wave Fest, an all-women-led music festival, returned with a clear mission: spotlight female artists while raising funds and awareness for 180 Turning Lives Around, a Monmouth County organization that alleges to advocate for survivors of domestic violence and sexual assault.
In a city known for its music history, the festival stood out not only for the talent on stage — but for the intention behind it.
More Than a Concert
Fourth Wave Fest is part of a growing cultural movement emphasizing representation, leadership, and community impact. The “fourth wave” concept draws from modern feminist momentum — centered around equality, advocacy, and visibility.
Inside House of Independents, that energy was palpable.
Artists from across genres — indie rock, alternative, acoustic, and experimental — took the stage throughout the evening. The lineup highlighted emerging voices and established performers alike, reinforcing the idea that leadership in music isn’t limited to one style or one audience.
The crowd reflected that diversity: longtime Asbury music loyalists, young creatives, advocates, and supporters of 180 Turning Lives Around.
A Note on Complexity
180 Turning Lives Around has served Monmouth County for decades, offering confidential services, legal advocacy, and crisis support to individuals who report experiencing domestic violence or sexual assault.
At the same time, family court proceedings involving domestic violence claims are often emotionally charged and legally complex. Allegations can dramatically shape custody decisions, financial settlements, and divorce outcomes. In some cases, individuals have argued that claims were exaggerated or weaponized during contentious separations.
Those realities are not mutually exclusive.
Organizations like 180 Turning Lives Around operate within the framework of state and federal law, including funding structures tied to the Violence Against Women Act. Their stated mission is to provide advocacy and safety resources for those reporting abuse. Critics of family court systems, however, have long raised broader concerns about due process violations, evidentiary standards, and the long-term impact of restraining orders when claims are disputed and not proven in a court of record.
It is important to acknowledge that domestic violence is a serious and well-documented issue. It is also equally important to recognize that any legal system must strive for fairness and careful review of facts in each individual case, which seems to be a real issue in Family Court.
Events like Fourth Wave Fest focus on raising funds and awareness for support services. Conversations about how those systems function: and how they can continue to improve, remain part of a wider; ongoing public dialogue that needs a platform as well.
Asbury Park’s Role
Asbury Park has long been a city where music and activism intersect. From its legendary venues to its newer independent spaces, the city thrives when art reflects real stories and real voices.
House of Independents proved to be a fitting venue for the night. The space’s intimate layout allowed for genuine connection between artists and audience. Applause wasn’t polite, it was invested.
Moments between songs felt intentional. Stories were shared. Causes were acknowledged. And the sense of solidarity was visible.
A Festival That Feels Forward
Fourth Wave Fest isn’t about nostalgia. It’s about momentum.
It represents a shift in how local music events are organized, not just booking talent, but building purpose into the structure. It signals that Asbury Park’s music future includes equity, leadership, and direct community engagement.
For a city that helped shape generations of performers, that evolution feels right.
The Shore’s music scene has always been bold. On March 1, it was also deeply meaningful.
Entertainment
Sea.Hear.Now Is Sold Out. Here’s What Asbury Park Is Getting Next Weekend
Celebrity
From the Jersey Shore to the DJ Booth: Pauly D Is Still Having One Big Party
Pauly D figured out something most reality stars never do. He didn’t run from the show that made him. He took the party with him.
More than 15 years after MTV introduced the world to Paul “DJ Pauly D” DelVecchio and that unforgettable blowout, the Rhode Island native is still one of the most recognizable faces from Jersey Shore. What sets him apart is that the fame didn’t turn into a punchline or a cautionary tale. It turned into a real touring career that shows no signs of slowing down in 2026.
The Party Never Stopped
In a recent interview, Pauly described his live shows the only way that makes sense: one giant party. Coming from him, that’s not surprising. What’s impressive is that people are still lining up for it.
He’s currently working clubs and venues across the country—Las Vegas, Boise, Salt Lake City, and more—with a New York date locked in for October 9 at The Rooftop at Pier 17. He doesn’t just show up with a fixed playlist and hit play. He reads the room and adjusts in real time. That ability separates the guys who had a moment from the ones who can still hold a crowd years later.
Reality TV got him in the door. The rest has been pure entertainment.
From Catchphrase to Career
When Jersey Shore hit in 2009, few would have bet on which cast members would still be working nearly two decades later. Pauly had an advantage most of them didn’t: he was already a DJ. The show didn’t invent a career for him—it amplified the one he already had. The larger-than-life energy, the crowd sense, the willingness to lean into the chaos all translated cleanly from the house to the booth.
The joke became the brand. The brand became a business.
Today he still appears on Jersey Shore: Family Vacation while keeping a steady DJ schedule and releasing new music, including the 2026 single “Lost” with Capri Everitt. More tracks are on the way. That’s a long runway for something that could have easily faded into a very specific piece of late-2000s nostalgia.
Still Jersey, Even in Vegas
Yes, he was born in Rhode Island. The letters can stay in the drawer.
Jersey Shore permanently linked Pauly, Snooki, The Situation and the rest of them to a particular version of Shore culture—exaggerated, loud, and impossible to ignore. Whether people from New Jersey loved it or hated it, the rest of the world met that version through the cast. Pauly understood the assignment better than most. He never tried to distance himself from the character audiences connected with. He owned it, laughed with it, and kept moving without rewriting the past.
There’s a clean simplicity to that approach.
One Big Party
Pauly is 46. The hair still holds. The crowds still show up. The booth isn’t going anywhere.
His path offers a quiet lesson about sudden fame. Getting through the door is one thing. Staying relevant after the cameras leave requires giving people something they’re still willing to pay for. Pauly found his thing—or maybe it was always his thing.
A lot has changed since those early summers on the Shore. His basic deal with the audience hasn’t:
Show up. Turn the music up. Have a good time.
Sometimes the simplest model is the one that lasts.
Film
Weapons – A Hot Take
WEAPONS, directed by Zach Cregger, is a film heavily layered in unspoken mythology. When all but one child go missing from a classroom in a small town. Starring Amy Marian, Josh Brolin, and Julia Garner.
While I did enjoy the film itself, I think it has been put into the wrong category. Let me explain. Yes, it was a good film. The pacing was spectacular, not giving away too much overlapping information but filling holes precisely when needed so that we as the audience felt like we were uncovering the truth alongside the characters. Even though we knew from the beginning.
No one needs a wig that red with bangs that short. But I digress.
The ‘mythology’ in the film was great as well. The antagonist wasn’t overpowered with their ability to use magic in a world not accustomed to it. Personally, I enjoy when there’s a catch to everything. And we got to see that catch be the downfall of the villain. Aunt Gladys, played by Amy Marian. And while she was scary in her own right, it wasn’t like Alien. Where the mere sight of the monster sends chills down your spine.
No. Weapons is one that has you wondering. Fearing. That if you encounter the wrath of a witch like our antagonist, would you survive? If your child was taken, how calm would you be? And would you think through every single one of your actions before you do it? I think not.
It’s these things that make Weapons so suspenseful and such a great film. But I don’t think it’s been accurately categorized in horror/mystery and should instead be in thriller.
Because it is no mystery what happened, and while yes, there are a few jump scares, it is not what I would consider a classic horror film. Even in an age of change for the film industry, we need to stay true to the basic categorization. But what do I know? I’m just a guy who likes movies.
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