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Fourth Wave Fest Brings Purpose and Power to Asbury Park’s Music Scene

Cru Jones

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4th wave - The Jersey Review

On March 1, House of Independents in Asbury Park became more than just a music venue. It became a platform.

Fourth Wave Fest, an all-women-led music festival, returned with a clear mission: spotlight female artists while raising funds and awareness for 180 Turning Lives Around, a Monmouth County organization that alleges to advocate for survivors of domestic violence and sexual assault.

In a city known for its music history, the festival stood out not only for the talent on stage — but for the intention behind it.


More Than a Concert

Fourth Wave Fest is part of a growing cultural movement emphasizing representation, leadership, and community impact. The “fourth wave” concept draws from modern feminist momentum — centered around equality, advocacy, and visibility.

Inside House of Independents, that energy was palpable.

Artists from across genres — indie rock, alternative, acoustic, and experimental — took the stage throughout the evening. The lineup highlighted emerging voices and established performers alike, reinforcing the idea that leadership in music isn’t limited to one style or one audience.

The crowd reflected that diversity: longtime Asbury music loyalists, young creatives, advocates, and supporters of 180 Turning Lives Around.


A Note on Complexity

180 Turning Lives Around has served Monmouth County for decades, offering confidential services, legal advocacy, and crisis support to individuals who report experiencing domestic violence or sexual assault.

At the same time, family court proceedings involving domestic violence claims are often emotionally charged and legally complex. Allegations can dramatically shape custody decisions, financial settlements, and divorce outcomes. In some cases, individuals have argued that claims were exaggerated or weaponized during contentious separations.

Those realities are not mutually exclusive.

Organizations like 180 Turning Lives Around operate within the framework of state and federal law, including funding structures tied to the Violence Against Women Act. Their stated mission is to provide advocacy and safety resources for those reporting abuse. Critics of family court systems, however, have long raised broader concerns about due process violations, evidentiary standards, and the long-term impact of restraining orders when claims are disputed and not proven in a court of record.

It is important to acknowledge that domestic violence is a serious and well-documented issue. It is also equally important to recognize that any legal system must strive for fairness and careful review of facts in each individual case, which seems to be a real issue in Family Court.

Events like Fourth Wave Fest focus on raising funds and awareness for support services. Conversations about how those systems function: and how they can continue to improve, remain part of a wider; ongoing public dialogue that needs a platform as well.


Asbury Park’s Role

Asbury Park has long been a city where music and activism intersect. From its legendary venues to its newer independent spaces, the city thrives when art reflects real stories and real voices.

House of Independents proved to be a fitting venue for the night. The space’s intimate layout allowed for genuine connection between artists and audience. Applause wasn’t polite, it was invested.

Moments between songs felt intentional. Stories were shared. Causes were acknowledged. And the sense of solidarity was visible.


A Festival That Feels Forward

Fourth Wave Fest isn’t about nostalgia. It’s about momentum.

It represents a shift in how local music events are organized, not just booking talent, but building purpose into the structure. It signals that Asbury Park’s music future includes equity, leadership, and direct community engagement.

For a city that helped shape generations of performers, that evolution feels right.

The Shore’s music scene has always been bold. On March 1, it was also deeply meaningful.

Entertainment

Sea.Hear.Now Is Sold Out. Here’s What Asbury Park Is Getting Next Weekend

Shore Static

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Asbury Park is about to get loud again.

Sea.Hear.Now returns to the oceanfront Saturday, September 19, and Sunday, September 20, bringing more than 25 acts, professional surfing, art and thousands of visitors back to North Beach and Bradley Park.

And if you were waiting until this week to buy a ticket, there is some bad news.

The festival is officially sold out.

Organizers are directing fans without tickets to the official waitlist or Ticketmaster Verified Ticket Exchange rather than promising additional inventory.

That still leaves plenty happening in Asbury Park before, during and around the festival weekend.

Mumford & Sons Take Saturday Night

Saturday’s lineup covers a lot of musical ground before Mumford & Sons close the Surf Stage at 9 p.m.

Men at Work play the Surf Stage at 3 p.m., followed by Chaka Khan at 5 and The Offspring at 7. Over in Bradley Park, Fitz and the Tantrums are scheduled for 4 p.m., The All-American Rejects at 6 and The War on Drugs at 8.

The Sand Stage adds another mix, with Tom Odell at 4 p.m., Susanna Hoffs at 6 and Shaggy at 8.

Festival gates open at noon and the grounds close at 10:30 p.m. both days.

The Strokes Close Sunday

Sunday shifts gears without exactly slowing down.

Fontaines D.C. play the Surf Stage at 5 p.m., followed by Goo Goo Dolls at 7 and The Strokes at 9.

Elsewhere, Ziggy Marley performs at 6 p.m. in Bradley Park before Moby takes that stage at 8. Kim Gordon and Pixies handle the final two evening slots on the Sand Stage, at 6 and 8 p.m. respectively.

The result is a lineup that moves pretty freely between classic rock, alternative, punk, reggae, pop and newer indie acts. Sea.Hear.Now has always leaned into that kind of mix, and this year is no exception.

The Festival Starts Before Saturday

The weekend actually gets moving Friday.

Sea.Hear.Now is holding a free Kickoff on Cookman on September 18 from 5 to 9 p.m. along Cookman Avenue between Grand Avenue and Main Street. The performances are open to the public and do not require a festival ticket.

The festival’s late-night schedule also includes separate shows around town.

The Offspring’s Friday night show at The Stone Pony is already sold out. The Ocean Ave Stomp at the Stone Pony on Saturday night is sold out as well, while additional late-night events are scheduled at Wonder Bar.

For people who missed festival tickets entirely, Friday’s Cookman Avenue event may be the easiest way to get some of the Sea.Hear.Now atmosphere without buying a resale wristband.

It Is Still More Than a Music Festival

The stages get most of the attention, but Sea.Hear.Now was built around Asbury Park’s beach culture as much as its music history.

The festival will again feature a team surf competition with East Coast surfers competing between the Surf and Sand stages. Art created by musicians will also be displayed through the festival’s Transparent Gallery, and organizers have scheduled boardwalk parades during the weekend.

There is even an option for people who would rather start their day quietly.

Free beach yoga sessions are scheduled for 8:30 a.m. Saturday and Sunday. A Sea.Hear.Now ticket is not required, although participants must complete the festival waiver.

Expect a Busy Asbury Park

Anyone heading into town should expect crowds well beyond the festival gates.

There is no parking on the festival grounds, and organizers are encouraging public transportation and the city’s existing parking options. Asbury Park’s NJ Transit station is about a 15-minute walk from the festival area.

Sea.Hear.Now has grown into one of the biggest weekends on Asbury Park’s calendar. This will be the festival’s eighth edition, following a run of headliners that has included Pearl Jam, Green Day, Foo Fighters, The Killers, Bruce Springsteen and the E Street Band, Blink-182 and Hozier.

This year, Mumford & Sons and The Strokes get the closing slots.

By next Friday, however, the entire city will start feeling like part of the show.

For one September weekend, the beach, boardwalk, downtown bars, clubs and streets of Asbury Park will all be operating on festival time.

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Celebrity

From the Jersey Shore to the DJ Booth: Pauly D Is Still Having One Big Party

Jersey Javelin

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The Jersey Review

Pauly D figured out something most reality stars never do. He didn’t run from the show that made him. He took the party with him.

More than 15 years after MTV introduced the world to Paul “DJ Pauly D” DelVecchio and that unforgettable blowout, the Rhode Island native is still one of the most recognizable faces from Jersey Shore. What sets him apart is that the fame didn’t turn into a punchline or a cautionary tale. It turned into a real touring career that shows no signs of slowing down in 2026.

The Party Never Stopped

In a recent interview, Pauly described his live shows the only way that makes sense: one giant party. Coming from him, that’s not surprising. What’s impressive is that people are still lining up for it.

He’s currently working clubs and venues across the country—Las Vegas, Boise, Salt Lake City, and more—with a New York date locked in for October 9 at The Rooftop at Pier 17. He doesn’t just show up with a fixed playlist and hit play. He reads the room and adjusts in real time. That ability separates the guys who had a moment from the ones who can still hold a crowd years later.

Reality TV got him in the door. The rest has been pure entertainment.

From Catchphrase to Career

When Jersey Shore hit in 2009, few would have bet on which cast members would still be working nearly two decades later. Pauly had an advantage most of them didn’t: he was already a DJ. The show didn’t invent a career for him—it amplified the one he already had. The larger-than-life energy, the crowd sense, the willingness to lean into the chaos all translated cleanly from the house to the booth.

The joke became the brand. The brand became a business.

Today he still appears on Jersey Shore: Family Vacation while keeping a steady DJ schedule and releasing new music, including the 2026 single “Lost” with Capri Everitt. More tracks are on the way. That’s a long runway for something that could have easily faded into a very specific piece of late-2000s nostalgia.

Still Jersey, Even in Vegas

Yes, he was born in Rhode Island. The letters can stay in the drawer.

Jersey Shore permanently linked Pauly, Snooki, The Situation and the rest of them to a particular version of Shore culture—exaggerated, loud, and impossible to ignore. Whether people from New Jersey loved it or hated it, the rest of the world met that version through the cast. Pauly understood the assignment better than most. He never tried to distance himself from the character audiences connected with. He owned it, laughed with it, and kept moving without rewriting the past.

There’s a clean simplicity to that approach.

One Big Party

Pauly is 46. The hair still holds. The crowds still show up. The booth isn’t going anywhere.

His path offers a quiet lesson about sudden fame. Getting through the door is one thing. Staying relevant after the cameras leave requires giving people something they’re still willing to pay for. Pauly found his thing—or maybe it was always his thing.

A lot has changed since those early summers on the Shore. His basic deal with the audience hasn’t:

Show up. Turn the music up. Have a good time.

Sometimes the simplest model is the one that lasts.

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Film

Weapons – A Hot Take

Orrin Wilson

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WEAPONS, directed by Zach Cregger, is a film heavily layered in unspoken mythology. When all but one child go missing from a classroom in a small town. Starring Amy Marian, Josh Brolin, and Julia Garner.

While I did enjoy the film itself, I think it has been put into the wrong category. Let me explain. Yes, it was a good film. The pacing was spectacular, not giving away too much overlapping information but filling holes precisely when needed so that we as the audience felt like we were uncovering the truth alongside the characters. Even though we knew from the beginning. 

No one needs a wig that red with bangs that short. But I digress.

The ‘mythology’ in the film was great as well. The antagonist wasn’t overpowered with their ability to use magic in a world not accustomed to it. Personally, I enjoy when there’s a catch to everything. And we got to see that catch be the downfall of the villain. Aunt Gladys, played by Amy Marian. And while she was scary in her own right, it wasn’t like Alien. Where the mere sight of the monster sends chills down your spine.

No. Weapons is one that has you wondering. Fearing. That if you encounter the wrath of a witch like our antagonist, would you survive? If your child was taken, how calm would you be? And would you think through every single one of your actions before you do it? I think not. 

It’s these things that make Weapons so suspenseful and such a great film. But I don’t think it’s been accurately categorized in horror/mystery and should instead be in thriller.

Because it is no mystery what happened, and while yes, there are a few jump scares, it is not what I would consider a classic horror film. Even in an age of change for the film industry, we need to stay true to the basic categorization. But what do I know? I’m just a guy who likes movies.

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